» 


uli 


Mil 


A COCO OMM ON w 


mm 


pote 


Se Oe: 
: ae 
= 7 PO REFS 2 none y 
a e a 


ee YOR a ans 
ee ee 


ie 
ora ae PRS Se Coes. Nees 
ae 


er We & rf 
t eG 
= Vas oe 
i 8 AS 


sak G 


yess G 
ae 
ORS Ww ee 
v ws ea co] >) 
AS 


& OS os 


Py Wire “%) 


e © 
Saye 
[S's 
A es 


THE LIBRARY 
OF 
THE UNIVERSITY 
OF CALIFORNIA 
LOS ANGELES 


a Pea ~ it 2 

. IQ GZ» HY o aN eee Pa 
: ( #4. 8BS Oy, 28 Ses. Wa %-S SB 
2 ony ZN “© .2ny. : Pie. > 


i) 


NZ 


yA 
co 
< 


am 


ian 


le 


SONGS OF LOVE 


THE WORLD'S BEST 
COMPOSERS 


FAMOUS COMPOSITIONS FOR THE PIANO 


EDITOR-IN-CHIEF 


VOICI Jebel es Ine 


ASSOCIATE EDITORS 


FANNY MORRIS SMITH FOUISSR. DRESSEER 
VOLUME I. 


NEW YORK 
THE UNIVERSITY SOCIETY 


1900 


Copyright, 1899, by 
GEORGE J. BRYAN 


Introduction 


HE music in these voiumes is classic. It has, however, been no aim of the editors to 
collate merely classical music. While the finest composers of piano music are 
here represented, those who are masters simply of technique have been excluded. 
It has been too often thought by those who should know better, that good music 
is that which is learned with difficulty and thrown aside with pleasure. The 


editors hold that music displaying perfection of form and structure is not 


necessarily difficult to play ; that, on the contrary, many of the most priceless 

compositions in the musical world are played with ease and facility by comparatively 

inexperienced pianists. While, therefore, the selections on these pages exhibit the 
widest range of style and subject, the narrow gate through which each has passed has been the test of 
proved popular appreciation. 

There will be found here waltzes and mazurkas for the home, operatic themes and popular 
melodies adapted to those who are especially fond of melody, many easy pieces for young pianists, and 
a full representation of the best salon music. A large collection of classics of a more serious and weighty 
nature, which have formed the basis of musical culture in every age, has been carefully prepared from the 
best editions. 

Music teachers will discover in these volumes material of much value. More than one desirable 
novelty has been introduced. Many of the pages will, it is hoped, suggest precisely the pieces needed to 
solve a difficult problem of instruction. The young folks, and those whose musical training has not been 
sufficient to give them a sustained enthusiasm for the art, will have their flagging interest revived, and will 
return to serious study with more ardor than before, after playing such old favorites as the ‘‘ Turkish 

* Patrol’? and ‘‘ Chinese Serenade.” 

Grieg, Tschaikowsky, and the Romantic School ; quaint classics like the ‘‘ Harmonious Blacksmith ”’ 
and Martini’s ‘‘Gavotte,’’ and such popular music as the ‘‘Chant du Bivouac’’ and Gottschalk’s ‘‘ Last 
Hope,”’ have equally their place in this series. Much of the music introduced here has never been sold 
before except in sheet form. Many pieces by Gottschalk, Richard Hoffman, Wallenhaupt and Wallace appear 
for the first time in a collection of this sort. Each volume contains also a number of copyrighted novelties, 
as well as several original pieces written by our best American Composers, and not to be obtained in any 
torm whatsoever outside of these pages. 

For the music-loving world this work has been devised, designed and executed. 


1860641 


Ascher, Joseph 


Bachmann, G. . 


Bartholdy, Felix Mendelssohn 


ia « 


Beethoven, L. Von . 


Braga, G. . 
Brassin, Louis 
Cadmus, Howard 
Chaminade, C. 
Chopin, F. 
Czibulka, Alphonse 
Delibes, Leo 
Field, John . 
liege wel... 
Gabriel-Marie . 
Ganne, Louis 
Gottschalk, L. M. 
Gounod, Ch. 


Gretry 
Grieg, Edvard 
Handel, G. F.. 


Telmund, Erik Meyer 


Hiller, F. 
Hoffman, Richard 
Jungmann, A. . 


Ketterer, Eugene 


ia 


TABLE OF CONTENTS 


VOLUME Il. 


. Mazurka des Traineaux 
. Les Sylphes, Impromptu Valse . 
. Variations for the Pianoforte 
. Death Song . 
. Andante, from the Kreutzer Sonata . 
. The Angel’s Serenade. Trans. by Sydney Smith 
- Nocturne . 
- Ours, Danse Capriccioso, op. 104 
. The Flatterer, La Lisonjera 
Pierette, Air de Ballet 
. Nocturne, op. 37, No. 2 
. Love’s Dream After the Ball (Intermezzo) . . 
. Intermezzo from Naila . 
. Nocturne . 
. Chinese Serenade 
. La Cinquantaine, Air in Ancient Style . 
. La Czarine, Mazurka Russe 
. Ricordati, Nocturne 


. Funeral March of a Marionette 


. Serenade of the Jealous Lover. Trans. by S. Thalberg . 


. Erotik. Poéme Erotique . 

. Harmonious Blacksmith, Air Varié . 
- Mazurka 

. Reveries 

. Souvenir de Trovatore . 

. Will-o’-the-Wisp, op. 217, No. 3 


. Chant du Bivouac. Trans. Militaire 


Krug, D. 
Kullak, Th. . 
Langey, Otto 
Leschetizky, Th 
Leybach, J. 

Tiszt, 1: 


ae 


Lysberg, Ch. B. = 
Meyerbeer, G.. . . 
Moszkowski, M.. . 


Mozart, W. A. 
Offenbach, J. 
Paganini 
Peters, W. C. 
Phelps, E. S. 
Reinecke, C. 
Rubinstein, A 
Sarasate, Pablo de 
Schnecker, P. A. 
Schubert, F 


er ie, ‘er fe 


Smith, Sydney 
Thalberg, S. 
Warlamoff 


Warren, George William... . 


Wieniawski, Henri, 


. Prayer, from the Opera, Der Freischtitz 


. Mein Innigster, from song by Warlamoff 


© ese) “eo (eo) ce! ene 


Sip ies oom soiel® eel elute 


. Mandolina, Mexican Serenade 


. Two Larks 


La Fille de Madame Angot, op. 169 (Fantaisie Brillante) 
Rakoczy, March. . 
At the Lake of Wallenstadt, from the Années de Pelinage . 


Mat Fontaine. <.. <4 2 (ose 


Page’s Song, from the Huguenots 


Bolero, Spanish Dance, op. 12, No. 5. 


. Romance from the Second Concerto . 


. Galop from ‘‘ Orpheus”’ 
. The Celebrated ‘‘ Witches’ Dance.’ Trans. by W. V. Wallace 


. Old Rosin the Bow, with Variations 


. Prayer 
. The Asra. 


ay. (ol ey) eae 


evn fers Ceo Ast er Vow jon yh ie) 


© @ 1 Je, ev ie. ieee . 


- Un Petit Ballet 


. The Miller and the Torrent. . 


. Praise of Tears (Eloge des Larmes). 


. Menuetto = =; 

- May Song 

. Barcarolle, op. 88 

. Duet from Mozart’s Opera, ‘‘ The Magic Flute’”’ 

. . Romanze, Paraphrase by Th. Kullak 
. The Song of the Robin 


rams PO SO Oe Or Oe GO OG 


Sylvan Dreams ~ <<) i) -iusmtenge: screenees spin mcm nm? 


a» ‘te fess) Mienh elem elie 


Trans. by F. Liszt 


Zigeuner-Weisen, Gipsy Dances 


eet th wo a GO} 
DO erO eta HO Oenie OPO “Oi 40.0 

o. ie! <o .© |e ie) (eo, Jee, Aesop uel Je 
te OO Utes Ode of Oo D 6G Ot 5} 


Mardi Gras 


ar MO Tet ete OP ime Or te =) OM O=D, OO 


Trans. by Stephen Heller 


Timpromptt pac, tusk cit (oe, eshte nie elton H-Net ee 


Polish National Dance, ‘‘ Kuyawiak”’ . 


a 
Saw 
‘ 
* 
, 
i- ® 
* 
J 
’ 
i 
“i 
Ls ; 
F ! 
t 
i 
! 
oe 
: 
= i 
$ 
- 
i 
i 
r 
; 
, at 
i 
i 
. 
* 
- * 
J « a 


VICTOR HERBERT, 


Andante 
from the KREUTZER SONATA. 


BEETHOVEN. 


Andante con Variazioni. oe 92. 


cantabile 


= 


Pp 


} 
Mi Z il i } 
fe i 
Mhhegaregs il 
eit 
‘SI 
i Ih 
At ML! 
(: le 
‘1 1 
wt MU 
Pel pa 
ft ie 
: | l 
lit ; 
sell 7 
\ HT | i "s- 


e Wisp. 


ah 


Will O 


(FEU FOLLET) 


CIETTO. 


CAPRI 


A, JUNGMANN. Op. 217 Nos. 


Cresc. 


Wie 39 iil 
: a alll 
dT ‘ 


a 
ee 


‘i 


<li] 
a 


25 
% 
== === 


cresc. 
= 


1 | ‘nee. 
1 iN oH 
. ays ~ 
||| hase =i 
ie ru] 
“eu 
tip. 


Feo. 


| Ve. 


k. 


Eroti 
EME ERO 


7 


X 


TIQUE. 


PO 


EDVARD GRIEG. 


MM. - 54) 


( 


Lento molto. 


wate || ite 


ween pees wee ete tet eeek 


et. 


Wee ant 


— OO 


At the Lake of Wallenstadt. 


from the 


ANNEES DE PELERINAGE. 
1980 Of SSA 


Andante placido. 


= == 


una corda 


— 
Vea. pp dolcissimo egualmente 


cantabile 


sempre dolce 
= 


4s 
= 
un 


Noo. 


poco marcato 


Ve. sempre dolcissimo 


poco rallent. 


EIN 
a= 


radolcente 


smorzsando 


sempre dolcissimo 


marcando 


a NEAAENG 
6. RS 


+8, LoS 
+ pain 
ae st ane 


BT +N 
ASe GN 


el 


Yo. 


13 


The Song of the Robin. 


GEORGE WILLIAM WARREN. 


a | 
veloce 
2 fe 
le): ‘ — | 2 © -p -e --. 4 
}——P-§ = — a 
Qe. Be 


14 


tr 


ben cantando 


Second time omit to Close. 


® cantabile assai 


Gor, 


Souvenir de Trovatore. 


RICHARD HOFFMAN. 


Maestoso energico. 


ranean 7 SSeeecae or 7 ae 

a? eS SSS 

Ay at ane SaHiSiStee2 nine te 
nn, ———s 


——— ——_ 
Ss ene 
= ——— 


‘a ao L 2 
e-AA. en mall 
| fa P4 V 
(04 3B Sa | a. 
PNG Jace 3! 


1S 


F54 
‘ in | 
Nh in 


a 
Wal 
(sit tl 
i ‘ll 
HTH g 
‘il & 


= nil ie 
5 (s I" een! 
y 4 uu > | 
| | TTT i .s 
o vs | |e 
& % / Nal | st 
a qa si We 
= | Wee | 
= ued. Sits MT HHH og 
& a S C hae eam 
\ ] || 
te, 4 ax : 
TNE q ve _#N] 
— OO OO ee  / 


delicato 


ote, 


7a 
a 
A 
Cy 


20 


Andante sostenuto. 


=a —— Gs pty PLE 


il canto marcato 


21 


=f 


= — 
ne = 
[—=4 = 


—— 
= 
Vv 


i 


—~ 
232558 
—— oe 


i SS 


con anima 


zl 


——— 
Z 


ee 
= 


Allegro maestoso 
ese |] 


24 


ae 


| i ae === <i = ————<—_—_— 
ee = - 
. ae 
ne 


e Ge. % Bed. 


WARLAMOFF. 
Paraphraseby TH. KULLAK. 


Romanze. 


Allegretto. 


6 


2 


) 


b 


(M M o = 144 


27 


sotto voce 


Poco piu vivo. 


———— ae 


2 Sos : 
ees OT ———_—— 
nl 

= i=) 2 


a tempo 


————— ——— = 


= SS 


Sate = : 
il basso ben marcato. > 


——————— — 


l me ee=5 see ====- = a =e = 


ee 
hae Sma vom peace Faeroe] foe ersl ec] Pete 
“Zs veto | fe tet eg  Wete te tae toto Baad? 


ei ae ——— 


Sa 


= a ee eS Sa —— =e, SS ESSE 


Pit lento ma con bravura. 


= 
RY 
\ 
I: 
| “ i % ne 
ie I 
Hie 
) ‘\ ? | 
2 a i 
4 | UT 1H 
Hi! 
it or 
mms | & will +4 | 
aH ona | 7 iE ie 
iy (|i 1 tS 
matt il Is | 
“rm \\ : Wi | WOH 
“il i Be “ll We URS 
i 1 is 
A HT 1 hs 
1c 1 | & i ' Hi mt 
Se ue th ut us 
usa ee edb hea can I =) hea cand 


34 


eT 
=a 
4 a 


meno f° 


Bolero. 


Spanish Dance. 


M. MOSZKOWSKI, 
Op.12, No 5. 


Con spirito. 


== = 


£304 + = 
a > J, vias 


5 
4) a gu 


. 


sempre mar 


| 


ee 


cresc. aSsai. 


| | |] 
fe 
few! \eel 


St) at 


37 


Sf con fuoco 


riten un pocd 


5 


ia) 


SOL 


i 

| | 

l 

i 
Aube 
We 
Aly 

Sie 

ill 

ae | TF 

aa 

i 

“il 


HTT 
ia 
les 
ih 
& 
vo 
alll 
3 {fh 
lh 
ow | 
The GN 
a OS 


Ul ill 
il ‘ 
CoH | 
Ast iis 
meth 
lM . eal! 
alll 
HT 
nla | 
ry | 
eS 
ill 
aay ne 
ial 


hs 
{thy 
| Ne 
A HTT 
ue 
hy 4 a 
Bez el 
—— == 


% 


pb ie : 


2. 2 
2 @ 


55 
= 


5 


wt ATF 
ACs GN 


39 


Variations 
for the PLANOFORTE. 


FELIX MENDELSSOHN BARTHOLDY, 


Op. 52 
= =— 


_s_ = 


| 


ie 
ithe 


- 


[ee] 
ite} 
— ) 
= 
= 
fe) 
as 
nD 
7) 
o 
= 
Gu 
on 
« 
wn 
wn 
« 
o 
es 
S 
wo 
ino] 
(=) 
< 


VARI. 


cresc. 


tb 


— 


ten. 
5 


Ny | 
He Nile i 
| Ae \ 
} Me iN 
a | 
) HI 
yy. cf : 
)y a ty 
el dllgieee Sei nanee Hh 
ly 
Ls | 
mii ie Hs 
| & [ 
| of 1 
a H ik 
/ : 
(Ha ry 
12 y | ‘i 7 
| | a 
| | al — | f bs 
SEE 
ie | thd 
othe ‘ill 
re | a 
nt ae ne | it 
| ae “i, ll 
MR it i il = ~ i ; NI 
ff rg 
al ey Fj ips | 
wy aN | iN esa iN 
OS ai 


42 


ihn il 
seg a 
Me > lel 


Piu vivace. M.M. =84 


or y 
Ie | 
‘i i sg 
mY poet) 
ogists qs 
sR ts 
=* Us Iai 
Sh Shan 
(qe om al 
—~oieea 
“aly 
a dts Hl. 


AS 


AA 


MM @ 


Piu moderato. 


pp espress. 


dimin. 


I 


cantabile. 


7, 26m oe) 


4A 


4 zg 


c LH 
\\ hall 
\\fR 
is 
i 
\\R 
ian | | ‘aa 
re 
re ne | 
= || 
i \| 
ety \ ie 
2 s boas lhe 
a / all | 
/ MATS 
= oa \ TP a | 
3 Tits 
$ \\h 
S AL | 
= \\ Oa 
= ie 
4 | \\1h 
° AL | 
é ee 
© NC} 
a Ped \\ I} | 
We | 
a\ 
ol) co 


> 


= 
Z 
5 
a 
ae 
e SE 
= BS 


sempre pp 


poco riten. 


_ Ee EET SS 


_— — 
=e 


senza Ped. 


P 


sempre con Pedale 


GREETING AT THE DANCE. 


J. OFFENBACH. 


alop from Orpheus. 


G 


i 
til alt on 
“4 | alll | 
sau h ; | iS 
I ae eat 3 
a . = 
ieee lle yIE 
ee 
= aie en al 
SHUR pan as = | d nl 
: ll at i 
th aie nt | 
Ton i < a, in Mi Hl 
i et iri it "all 
A sail a] wal Ni 
ea wal Tl gal sl 
it et fl all 
: Com i!( 
Se ei er iit | 
5. “4 He Mi rh a u 
o iI aca i wall ea 
bis ot wll 
: i coll 
ill el : | 
jis i Ne nl 


~~ 


= i 
a (| 
hi b 


1nd af 


Prayer. 


DER FREISCHUTZ. 


? 


RA 


from the OPE 


D. KRUG. 
Fingered by FANNY MORRIS SMITH 


(RECITATIV: Wie nahte mir der Schlummer.) 


Andante. 


Sf: Sf appassionato 


3 


€ 
« 


5 


con grand espresstone 


Adagio. (AIR: Leise, Leise, ete 


—== 


Pp dolcissimo 


a. legato 


dolcissimo 


sat 


cresc. as 


54 


gd 
cresc. 
= eS — 
7 tee 
‘7 er Sa rar 


$ i 

Se 

site| 

5 l 

=e Leh 8 

as 
i M 
iM cn 


| 
| 
| 
| 


CYreSC. 
cen 


cres 


1 
| -.|. _. [peaitienseeereaiea enacts nooo aAa 


Cresc. 


dim. 


56 


molto rit. 


Lento assat 


b | ont 
ll ‘i 
Fi | 


> Bae 2 ee ee 


molto} dim. 


marcato il canto 


58 


7 


Ib 

| | 

& ily 

: py 

8 + | 

. line 

he 

is 
ay 
"| 
ou 
4 | 
| 
All 


mf 


La Fille de Madame Angot. 59 
FANTAISIE BRILLANTE. 


J. LEYBACH, Op. 169. 
A A Fingered by B. BORRELMAN. 


: 


Allegro moderato, (6:88) 


4AL5 
3 3 2 oe e Ee 
a = Se 3 2 SSS SS aes — SS 
5 ee eee eet Se ————— = 
243 — 
mh ——— ee 
re a a ee eS es ales eS ee K -—4 
Ben, # oo # 
S& wre ree rane e rn eeeeny 
4 3 7. a i 4 4 4 3 is 
oe Se is a= = — 
2 32S SSS >= SSSe8 I I I te} 4 
S = y, 
See = Pp Cresc. 
=> 
I. a. ry SS ry y e +-—f 
fae eee) 


60 


33- 
—— Pe ee 


Grazioso 


ae a (PS SI 
Ss {-— 44 fase | meney oes Peas SSeS Sasa SS 
4 Lg ey 2S Ss es ee ee ee ed ee Ee ey a 
5 H+ -@—,_@ _ | —__@ ___# K SSS Sel ie GS Pee eS mes Gee = BS Ea. 
v a oe 6 et Ec 


- 5 
5 5 i 6 


y D at ee = he —| “vp ee, 
I [rast ———— 


leggiero 


una corda rit 


p calmato e legato 


G2. sem pre 


3 


(e 


96) 


P ire corde 


Moderato. 
23 


62 


Cer be = he b a = = — 


(= SSS SSS SSce daze sie ee ee a ae acSearssarse 


=m 
a one. tl PDs Pp ay 
== = 
Fas RRS SS 
——__ 


A fameeet ; 5 a es 
FT foe] ©) ne a SS Gee ae Ge Ss SS SS 


7 - GS 6 ee er” ly ey 
Kir i ft tit py pe fg JT 1 tt 
ESS of ESS Ge_ ea b 


Pp leggier ma ben marcato 11 canto 


b 


by 
Pea a <p) eS c= = 
a eo 2225 [ f 0 a. = 
fa P pb — + = ae = oom SS = 
ISS SS SS SSS ae ee ee ees ae Sa = 
eee PP Lt Cee — = i 
Pp 
b cresc. A 
[éy: | 
a 
‘ee Sa? = 
Keo. & Go. & Veo 
233 4 
SSS ones 3 en PRCT Pyrenean 
; Re See Le 3 & INGINAN 


o>! 


f = : Fa al 
A - p-*: 
| Yr - By! ENS Aas i =P fe i +} Sa aes Se 
(a eS =a55 SS Ss eee 
— AEB} 
== 


{===} 
AAS Se Aaa. 
— = 


——_ 


= 


Ga, Ged. # Leo. 


7 9 eo 
+= ESS 


+ 


cantantando ma leggier il basso 


# ¢ 


2 a ve a 


SSses 


———— 


=> 


9 £ 
~ 


4 
Lene 


24 


= 
be 


a pe obs 
Ss = 


=? 
Sed. 


£ 


34 
2 
< 

=e 


2 


_——_ 


2 


2 


= 
——— 


calmato 


2 
a 


4 
Pes ea SS eS =e 


5 


1 


 serorc e 


; Pa ae 
SSS 


una corda 


67 


88) 


> 
a \| 


Allegro. id 


68 


oco antmato 
A 
. = 


Wier? 
nN 4 

== 
ra 
Vd 


sempre 


li 
il 
i 
: 
41] 
il 
fl 
il 
|| 
: 
il 
li 
1 
it 
I 
! 
} 
: 


Sy GS ed ee ee ee ee ee es ee ee 
largamente 


69 


Barearolle. 


SYDNEY SMITH,Op.88. 


cantabile 


i: 


fi 4 
a” 28, 
ania na 
a_i s 
Sea) 


70 


si if 
| H 
WH AH | 
ie“ 
| 
i a 
IN 
Ith if 
wis % nla || 
| . j NINH | 
$ g ie 
2 ¢ll (im | 
UNG a it a 
sic Ma 
een | (I baa 
i a ral 
AN Agua] | 
/ 1 | i e}*) 
. ( i in a 
: ml 
il : spent heen 
ih - at ® 
raul ll 
ll (aH 
is} 
oy 
i fing 
ee ei 
iN =i | il 
elt eet 


71 
& 


rit 


JS largamente 


poco slentando 


con espress. 


CTreSC. 


Gad. 


A 
¢ 


aT | 
[4 


Sy 


a 


con espress. 


ben marcato 


a tempo 


= 
2) ae | 


72 


Pte: 
ae 
=a 


a! 
ES 4 Ee 
mao 
————— | pane 


a = 
se i=) 
BM. SSeS. 


2 
ess 
fe] 

123 
sass 


s 
oy 4 
De = 
1s [7 t 2 | 2 | mere | 
2 SS A 
SsaSaas 
——_——$—_— 


cresc. 


con molto espresstone e legatisstmo. 


Pe Re 
, 


PT Te 


a Yea, at 


te Gan 


Ty) 
‘ iis 
ie is 
" i 
iy Hi 
il tis 
|i 
ts 
hd TT 
en 
1 
¥ 
| 
HT | 

bsitis 

Hie 


& No. 


Vg lg tt Tag Te Te Te Ta 


tote 


racecars 


J aS ad a 0 ee ee 


poco rall. 


grazioso 


UV Go Ben 21 eee 


leggiero 


P 


76 


largamente 


Zt © 


con espress. 


a 
an 


con grazia. 


pesante. 


ben marcato. 


78 


ill il 
Ball 
ae || 
jul 

be ti 


79 


Pe 


ar 
= 
yy 


Se : 


aaa...) 

ize 
olciss. 

eS 


yy 

4 
te 
NSU 


a 
SS 
SS 


Mardi Gras 
Shrove Tuesday Quadr 


80 


lles. 


i 


SCHUBERT. 


F, 


Pantalon. 


marcato tl basso 


= 
P 


SF con animato 


rr 
$- 
. \f 
=== 
=r Sena Dae 
eo 
= 
v 
2 


abandonamente 
, 
a 


5 = 


Grazt0so 


P 
am te 
= 


LJ 


A ET 


Seto 


Risoliuto ed ma reattisstmo 


y 


Grazt0s0 con espress. 


Poule. 


Ete 


82 


a 


TT 

ty 

ine 
as 


# 


erent pes 


e 


22 


SNe 


on al 


SEF 
é¢$ees 


Cantabtle 


ll 
LL 
pI 
| 


=Sgies 


—_ 


Crvese,. 


= 


b= 


= 


a 


Satantque 


Pastourelle. 
8- 


gttato 


un poco a 


pP 


Y La 


feos 


Y 
ne: “a eo ote 


2 


eo? to ¥F 
——————— é 


oe 2 


con tenrezza |e patetico 


Finale. 


Trompettes infernales 


aa 


i. oe 


Introduction. 


eee eg ey 


~, retennto 


i 


s 


2 
<2 


es ——| 
i 


a 


i 


t@ee s 


vte® 


eee © 


85 


OLD ROSIN THE BOW. 
With Variations. 


By W.C. Peters. 


*) 


Maestoso. sweet sar 


Introd’ n. 


= SS Ea 
SSS — — GE eee eee 
SSeS ase SE eS ee ae 


t ~ 
leegadas scecgaseeeeen a Gece Poe 
lon —- —— ey 
are fe - 
CS a EES EE I ee 2 hal 2 i ST 
Fe a ee ee le i = 
6 oy a Vt Ld SS — —— 2 
Oe ee Ee SS 
eo. y eee a 
CY is . - oe ih Oo Ne 


a — TS BS SSS 2 Pe ee er eee | 
e ai gl a 
Ni Ss 
1 


erese calando. 


Theme. 


See 
Coa Sa oS ee a ee eA 
AEE Be Ee SE Se SE Sey Vn ey 
. —_—— 


=| 
Sa ae Se ee 
aos el ey ee ee ee ee 
Ss eee RE GI eee 
a Gan 0 anes ee Ol fe Ol 


2 od se ee) Ss en ed a I es Ee Ses ee eS 
S ee 
SE eS et ee 


Var. I. 


ES fa 
"EE Eh SSeS eS ee ee eS Se ee See eee 
_ EE Go ao ee Sy eee ee ee 


——s Le 
"2 Se ai —— = _——e 
ED SSR Se Oe ER a A ao Ss Soe ra 
12 Se Ge ee ee OR ees eS 7 a meee 2 rt] 
a oe oe 
Ss 


pee 7 


Ti 


Sal 
SSeS eo 
jn | 


87 


Moderato. IN 152, =—" —— 


Minore. ny 


om] 
— 
— 
H 
oo 
cS 
rs 
- 


89 


= 100. 


, 


Marcia. 


eo — 8 eS Ee ee 
eS SS co on SS 


a 
si 
= 
= 


a 
i) 


: 
| 
i 


] CSE oe ee eee 
Des oS SS eo ee ee ee 
01 Se ee DoS Bee eee 


ay! 


/: 


7A eS ee eee 


Sy oS ee ee es 0 ee ee een eee 2 en a ee es eee eee 
SO ee eee 


8 0. Ga es 2 ee 2 eee ae 


i 
| 
7 
| 
| 
| 


\ 
| 


91 


LES SYLPHES 


Impromptu Valse. 


G.Bachmann. 


ne 


—_——_—_—————————— 
‘ 
nee 


ae 


20 oD Ds a a 


Saas 


brillante. 


Se ES eee ee 


" 
{ 
] 
! 
| 
ul 
1 
| 


2d.time D.C! al CODA. 


A 


We 
aml 
3 
iS} 
ALG = ml 
il 
Ir a 
iil 
meal 
at) lh 
ll 
ll 
il 
ali l 
VY 1 
est 
Halll 
Uh 
“tl 
eh 
(ih th 
WT gd 
alll 
Nil 
ia 
Le a 
Ss fel N 
——— ae 


Zargement. 


D.S. al Fine. 


P. A.Sehnecker. 


PETIT BALEET: 


UN 


94 


Allegretto. 


fs 
“3 

il 

il 
il . 
| S 
Ss 
~ 
| 3 
| 

iil 

Y 

a 


Copyright 1899 by Geo.J. Bryan. 


oe 


oes oS SS 


aw 
a 


= 
I 
= 
| TA 


= 
14 
rs 


= 
oF 


I 
~ 
t 


iil 
ic 
S 


% 
Road 


97 


MAY-SONG. 


(Maienliebe.) 


Jos. Sehulz-Weida. 


¢ 
¢ 


Allegretto scherzando . 


— Oe 


marcato. 


marcato. 


om “| 
yh St 
iilaaa 
- bane 
idea fag 
lhi 
| 
Hthd H 
TT | 
th 
tt | 
a 3 
Wilkes 
i: 
LL] 
ben hs 
thy 
tina | 
beet al 
ane Naa 
dl 
ih 
ih 
| 
— att 
Wy TU 


98 


ey ar eee cee Lo 


Be SS. 
St Sh 
ae 


as ee eee 


Jf 


Vall 


99 


. 
i 
a aa, 


— 


: 
| 
: 
SS een eS Ss er 
Sees eS 
== 


| 
| 
| 


ae ss 


| 
| 


per 


sa PRAISE OF THARS. 


(Eloge des Larmes.) 
Melody by Franz Schubert. Transcribed by Stephen Heller 
a 


Kom Aan : 
The Pedal marks are indispensable to the execution, 


Wi 


i! 


oY 
b 


he 
i 


d 


7) Sal ee RO 


ny 
l 
! 


3 


{0 


om “i 
sun AU 
| -4 ||| 

5) 
ui 
| el 
TH mH 
ue gl 
‘| Ve | 
ie! 
ua) 
In 
4 Mire 
| fe 
\e a 
l 
i 
Hd {il 
NG 
Yi 
i at 
Ne = 


OO 


= RICOR DATE 


Andante moderato. M.M. ee L.M. Gottschalk. 
semplice i molto tranquillo. 


‘a «ta. ® Sa, % ta, 9 Sta, Koa” & 


scintillante. 8 


un poco rall. espress, 


Ke cresc, — 4 2 
o): ————— = i 


= 


\ if &é 
{ con dolore ma 
/ semplice i p 


Ch an * Ra. ha. % Ka. * Za. * 


105 


un poco rall. espress. 
/ 


N: 3 SS =— A= A | 
| 8 fffeerd 


con dolore ma 


ba semplice i p 
= ————— 


ea #% Ke. % VE. #% BO. % La. % 


pp malinconico. 


riten un poco 
piangendo. 


ss 
cosh |, Ts 


5 A 
aur, 0 Es SE a EA 
y 


dim. 


FENTON RR RRR ROG RAPA RARE 


A : 
con amore molto rit. 


406 


Tempo [9 


ie = = ea ee 


i 
con dolore 
un poco rall. 


RD. % TA. % BD. * va *#oD * Loa * La % 


zeffiroso. SS 
/ ——S>S= bar dha dhdte fea SS = = - 


(aie a egat* Hl be 


una corda, 


eee rie 4 ff = 


SS 


oo 
YD. *% Ta * 


107 


dim, un poco rit. 


408 


creésc. 


7 


% VD. 


rall. 


tranguillo. 


% Na. 


109 


THE PUCATIERER . 
(La Lisonjera.) 
Revised & Fingered by Fanny Morris Smith. ©. Chaminade. 


Moderato, molto capriccioso. 
5 


hI 3 SSS. GSE RIES 

ot eg a rf ‘ 
SoS Seer Bee 

ce t+ 


Bed Sie r err ne 


Yt 1g pete > 
fi EY be et ee sil saees- = sees 
eee ee Ree SOS Ry PAP wie 

Lise, | 


REVERIES. 


F. Hiller. 


60. 


Andante. J ; 


With Pedal. dojce. 


stringendo poco a poco. 


113 


Moderato con anima. 


41% 


# 
Cs 
_-—B &— —_—__. 


ee el ee 


be 


> 
oe 2 


VA 3S OY a 
7S ia 2 SG 


eee 


[| 


' Pe 
RSS eS a ree 


Tt a 
a — —- 


116 


LA CINQUANTAINE. 


(Air in Ancient Style.) 


Gabriel - Marie. 


cares 
s- 
es 
Et 
Le 
z 
be Cw 
= © 
Oo & 
== 
aS 
a= 3 
au 
co mm 
a <= 
ral 
2 
ba =| 
a 
i= 
[-¥) 
bo 
| 
, 


117 


18 ROMANCE FROM THE 
SECOND CONCERTO. 


Mozart. 


: 
ee rte ete 
mie —oso 


Tutti. — Za — 


Ss ee ae eee rs Pe 


aes 


yp 5 2 
amis 
(SESS 5a = S84. 555 


PPP 


== 


eh 
AT RAS Vee ee 


eo © Olek vee fi 


iigia 


— 


[elisha 
F 


120 


DEATH SONG. 


Mendelssohn. 


i 


at 
pasa) 
==] 
€ 


=" 
cs 
tranquillo 


Andante maestoso. 
ith Pedat. 


c 


W 


legato. 


Pee, 
eI 
== 


= = 


Ped. sempre. 


re 


sempre \dim. 


REO rs 


= 
' : 


| oo ee 
Se rnsis 
———_ 
eo > 
== 


a 
e 


123 


THE ASRA. 


(A. Rubinstein.) 


by Franz Liszt. 


Transer. 


Revised & Fingered by Fanny Morris Smith. 


Moderato. 


7. WS Sa See Eee 


= 


fT 
fi 
ferN 


a i 


Ossia. 


tre Corde. 


“3 
si SS5 


—— 


125 


Variation ad lib. 


’ 


Corda. 


una ( 


‘ a . 
| 4 0) ee) ae) — et _ te ae—_)__ Lt pe_ler 


Oe Qa Bo ee a) Se ee 


>i 


=e 
SSS SSS SSS OS SS ES a ee en a 


a6 am Rie SS GE EE es ee ee [Ria wef a 


ww _— 


sempre legato e piano. 


126 


Nocturne. 


LOUIS BRASSIN. 


Moderato 5 


SS Sees a 


. r 


= 


127 


sempre una corda 


Un poco MENG MOSSO 


i 4A 
Pe 3 
i262 FY i.di' 


a 
SSSo 4b Be 


MA ry 1.264 FY i248. 


| 


ome 


Bhan e wn ee 


— 


i 
- 
i 
Is 
h 
lh 


————— 
So Soe 


==——— 
> 


a ee 
Ses 


i is @« @ | 4 
a 
Sesaica 


SSS See a 


crese, 


130 


iM ( i 
- 4 
a : ll | 
pT TT] 
f 
a oR 
‘j ; 
i! Ne a 
| i ail 
I TF 
ui ° “TF it 
| é it 
I oh er eee | 
al 
i i 
x 1 
a! | / ° 
it ; (*s hy = 
| Nae 2 & 
il Me 
My iH [ps9 
a i TT 
H ul h— | { le . 
‘ iM. | ye, Si 
H \ | aL = | l = Ne 
1 I] + ae 
| yy 
3 es 


3t 


* 


asin 
re | 
K wT i 
| tt eo | 
aa | / Hit | | 
k 4 si 
: Hh i 
1 
“| 3 | 
| @ i | | i Q 4 9 
| : i Tih Yes a i ¢ eS 
Ki | Te im 
Bs | ; a: : 
wi — see 1 aM HOD | He a : 
‘all ( HT iil HI g . 
j ut Hn as 
q 4 a 
| Th i / ian 
“tl —a “i 4 ( iH 
in| a \ i 
wil at San SS 
i 3 ni 
at a =~ t | tH NINRN 
Stil | sl i) jel 
i TH t on) 
it \ ai 
yn ‘ill '\ SH 
iH ow 1 
ent 0) eH 
in oH | 
\tI \ eu i HI 
Hale 3 Hi aN i SN AN 
ne ab ay a at ay 
d He et a4 Ee ey fd 
| a 


| 
| 
| 
| 
| 
| 
| 
| 


[a 


132 


’s Serenade 


Dhe: Angels 


G. BRAGA. 


Arr. bySYDNEY SMITH. 


con moto. 


Andante 


espresstvo 


x kD. 


Pd. 


———— 


Seti ' ind ——- n T SS Fo Cit itiwasmessaese al hil ¥ 
t | / nan ; | . 


eK @, AY 


agitalo 


ris le = 
W 
Bl | 
Fai] 
it} 
el, | ol 
aR . 
yess HE | 
Hil i= | 
| : 
Ji l | ss 
I 
if 
ill 
il 


ee os 


pp Tempol. 


137 


— 
tly 
een 


i 
yg Ba Wa 


3! | | 


ia 


sindiasimial 


; 


ig a 


leGQ@getgtgts waa 


dim. 


* RD. 


conanima. 


%* Rd. 


Red. 


ca Bop. 


ere ith 
(_ 


Ped. 


* 


Per. 


*K 


Chinese Serenade. 


H. FLIEGE. 


Allegretto moderato. 
44 


——— 


ae oo 
a. Rg 4 52 
tint 


alt 7 
ie 


sempre 


a 

— 

i= : 
PP ie dimin 


141 


LworuWarks 


LESCHETIZKY . 


TD. 


Allegretto con molto moto. 


Qe 


nee 


con brio 


& 
= 
z 
* 

TY 
— 
> 

oat 
a 

‘ 
> 


-cresc. 


_—_— 
2 ~ 
my 
ae a 
aeaiat 


t+ 4: 
a | __[m 
| 
~ 

n 
oe ASIII cH. 


~ 


ae 
ae a ‘ 
a 
LJ 


Ze 
Baan 


ow! 
>: #@ | 
"ES AS 


4 i 


ez | ae te == a wos ———= =o 
GZ eurtt = ==o> 5S SSS 2G, rr zs i 


ad 
Pp leggiertssimea, 
a ae 


> 

wae 

i 
= = 
| 

~e 
3 

~e 

% 

veo 
Te 
L1@ 
| 
a 
~e 
~e 


cresc,. 


143 


cresc.e string . 


al 
= 


CTESC. 


= 
—————— 


velucissimo 


ANT 
rT 
$ 
Nil | 
1 
-elf 
el 
5 ll 
| hy | 
AGH | 
SH | 
al 
|| 
“| 
“il | 
MW 
ill 
i 


Pp 


senza rvitard. 


a as ee 


“Sees PSSST 


sempre 


ae 
o 


3 


aan nn nr rn rt er 


sthali 


con brio 


——p 


velocissimo 


stringendo 


erese, 


————. —____ poco ritard, 


il canto ben mare . 


es —— 

—— — 

i ie $i ess PAL) oy gg 
f+ — ri = =a wa 
i na ——_—4 = — — 
e ~~ < ey 

P =—S id 
Re wae : = oman = = = 
iS ae. c= t | 


a tempo 


147 


Ineaux. 


Mazurka des Tra 


ASCIIER. 


JOSEPU 


Maestoso. 


Cres 


4st time to Trio 


P. 149. 


Vika 
‘wit 


to ace 


4) 


C2) eee Ee 


Ais 
a 


J 
i e 


last time to CODA . 


marcatissimo 


i! > 
SS 
"7 = 


D.Cparte primo alSe 


SS = = = SS ee ee 


Ti |\ es ld 
1 8 70) Lae ©) Sy 


== 
Scans far 


. 
Raat 


— 


D.S.al Coda. 


~qs 


= 


=. 


=p 


AT GG A SS SS 
> 4 


sr | 


oe a SS SS ESE) SS 2 SS SS SS SS eS =e 
Gm GS 8 eS SS SS SSS SS SS SS SS Ss 


Sa SS 


ie 


HELMUND. 


aftempo 


ERICK MEYER- 


Mazurka. 


Allegretto. 


-y* time ont fo CODA 


= 
ic 


ritard mollo 


DC.al Seguo. 


56 


Impromptu. 


FRANZ SCHUBERT. 


gretto. 


Alle 


% sempre legato 


SS RSE 
SS SS SSS ES EE 9 ES 


anh 


SE SSS 
== Ed 
= 


Ce) SSS ES Ee ee eee Gee S ee 
° . 


a 


ap at 
LI Ie | 


basa ON 


meno Mmosso 


i 


1 
| 
| 
5 
en 
I 


SS BS Se 
oa a SS. a 


atempo., 


a 


Gane CIPI SSseSseo 


—.. .q<—_— | | 
i on ee ee 
be 


dimin. 


feqatissimo . 


FR. SCHUBERT. 


Fingered by LOUIS DRESSLER . 


Menuetto 


Allegro moderato. 


160 


2 | 


IT = 
I 


Molto legato 


TRIO. 


[—— - 


. 


LA CHANSON. 


163 


erenade 
Of The Jealous Lover. 


5 


Transcribed by S.THALBERG. 


By GRETRY. 


2.5.08 26 
SS aaa 


= a 
= 7 


legatisstmo, 


“| 
— 
oe 
nee a ESS 
dim. 
i > 
a 
| 


— 


Intermezzo from Naila. ae 


Ballet. 


LEO DELIBES. 
Introduction. 


a 
2) 
Nv 
| 
\ 
NL 
NN 
v 
NN 


ptu accel. 


4 Sais 


= 
== 


uh 


Pam 


- 


(2? 
(22-T@ 


— 


3 5 i 


og eee eee ea 
Dovett leat ltt Lon Lee ee 


la | 
ara 


perth Ah, 


Panta ae 
aoe 


Aree ttt tet tet ete teen ee eseeeeee nes renee nea ee ees 
° ° £ 5 


simile 


Ba. 


SS 
=a 
a 


coer a 


a 
SS 
— 


ee te 


3.2 


2.41 
7 


BL aaa EEE EE SS Seam Es 1 


+ 


Hes? 


17 


) 


do 


SMONZAR 


La. 


a poco rtt. 


Ps 


J 


Harmonious Blacksmith. 


Air Varié. 


G. F. HANDEL. 


Andante.(¢ = ss) z 
Le 45 
SEE 
p legato 
jae 
= =a é ey eae 
paotin 


177 


pe <= 
fetete se oefersceeePsenerrise ad 
ow eae is 


ogee 


178 


cresec, poco a poco 


o tty LF OSL. a) gy 
—¢ oe = = a = o- 


180 


La Fontaine: 


Moderato. 


CH.B.LYSBERG. 


Cadenza. 


1 
yt 
! 
| 
mt | 
on 
| 
i 


4 


Dt 
se ee eS ae 
D — = = 


£ 
CY 


adim.e rte. 


Andantino. a 54. 


i 


Whddcemehdly 


ne 


oP. ) 


—+ 


| ese 2a Seta = eet be ft 


— fi 


Aiur ll UL 
“thi | | a at 
I Hi 
i | i mt mui! 
| me || 
mah | | mane anal || 
TORR || | a pT anh 
WHR 4a fs ait 
i WER 1 
i|| T My ae-ant | : 
Prins || H it ann || x 
Pm | Neal mae OnE || 
Mt - act ut | s 
Maw | “tae | AUN @ a, 
a ay | TT ll = 
ta (Bikes: | 
C388) || | 8 i 
Mt | Ls | 
|| | (Bren co 
a8 || : nal | LTT : 
|| at i + # 1 va || ee 
H | an || les = 
He ee On 
I} Wael || mae | 
0 || | | | tt 
“=H CH oe 
(sl ele ganas ‘ni || ee 
qa -— 
eet} Yi § | {| 
| fel S| ‘| 
| Le S| oh 
em: | | Ee | 
: mn < | cl Sin 
pil aH ii 
| an 3 
iH 5 eh a t S, 
| Hil * le AT 2 
4 ~ 
i ail) Hh | S || 
| “4 4 UM & the MMi alk Sarthe. 
pees et Art | g t {|} ta f RES 
# 4 # ; Lh rs, 
oh \s Ni i . tl3 | 135 
cs Me A Nee NG eh wh 
—— ae ee 


185 


arine 


\ 
J 


La C 


LOUIS GANNE. 


Mazurka Russe. 


=) 
= = 
3 * 
n ~“ 
a > 
e * 

(S) SD. 

n 

o°: 

-_ 

n 

[3] 

S 


= 
a 
= 
= 
= 
~ 
= 
lo) 
ee 
» 
= 


Small notes may be omttied 


A ¢ 


> 
5) 
= wn S 
S © S 
= 
ise = = 
S = Ss 
N = 
S =] S 
= = 
> 
= <j Re p& 
S| 
ts 


Trio. 


¥ 
eI 


r 


aa 


Za 
A 


Tutta for 


Anitmato. 


i190 To 7. A. Knight Esq. 


Sylvan Dreams. 


SS 


un poco rit. 


a ; Fe ; ? : 


Tempo di Gavotte. 
5| | 


4 3 
\ 


Used by arrangement with 
Oliver Ditson Company owners of Copyright. 


Z Z 
. BS : 


c= 


dim e rtt. 


dim ertt. 


eee 
[ese freiteray 


Bu?’ Le) Ee ee 


3 ies } 4 7 
3 


REINECKE. 


ch 


nergico assai. 


Rakoczy. 
Mar 


194 


SZT. 


F. LI 


iz 


Allegro deciso ede 


8 


we en en ee ee eee eens 


45 


4 


Follett ate! 


= 


bal 
ie 


abahet 


>» - 


G--nnnnsneeenpeeneeeepen steerer 


Af sempre 


ai Song From The Huguenots. 


Andantino. MEYERBEER. 
4 


Maestoso. —3 | 


wee ies 


S 
“ i 5 


Cadenza 


dtmtn. 


peresc. 


dimtn. 


G2) Zee 


=) ane SA es eg are: roe r ————9-1 == 2 
(Ty t am | tie o @ fo, Pole ai, a 2 Pa ee aes eo I 
(Tes 2 I JT Dette ES — r P| PI Lp es ee ee GS Ea mas) 
AB Fi t— NaS =—___ ——_= 1 =a =f] ae es cae a SS SS SS 
e =———- ——— BH SSeS a 
Pp 3 3 


wd oe = 
1 
2 1) SS 
2 43 : 3 


S railent. poco a poco 
adimtn. Fr 


is. 


‘AG VNAYHS V 


204 


,» Op.104. 


11 


f= 
ON 


pP 


Con espress. 


By HOWARD CADMUS 


=e 


= 
B 7 | 
ae eee 


Ours: 
Danse Capriccioso. 


Used by arrangement with 
Miner Ditson Company owners of Copyright. 


Lento. 


ss 


fy ee to 


yo Nd 


Gs 


, 


on delicatezza- 


=a 


2 
ro 


pp €or 
= 


repeat pp 


203 


Vigoroso. 


Leggiero. 


< $4 


< $e). 


pp eres 


<eddo 
—t a 
i: 
a6 
<O68 
“NING 
we 
<a 
ue 
WE aN 
——_ = 


—s 


> i 
a 
x 
2 z 
£ 
te : 
PON 2 
eee)! 


205 


Dream After The Ball. 


5 


) 


Love 


Intermezzo. 


Returned from the ball 


and ina ch 


’ 


night. 


»She falls aslee 


arming vision beholds him to 


whom she h 


iven her heart this 


as £ 


4 


sPHONSE CZIBUL 


Al 


poco rit. 


a tempo 


pp ete 
oe 


ae 


oS 


poco rit. 11 tempo. 


poco rail, 


marcato. 


piu ral, 


Wy 
ial Wd 
3 ml! 
iy th 
“BN 


| Eas ER Seen ES 


0 


207 


ten.e morendo. 


rite 


iS Be) ee _ Be 


ae 


=r 


Saseessanss 


d@ecrese. 


2 rit. ASSUt. 


i 


Con es pressto ne 


SG 


Ya. 


Q . 4 N] eo a ee ee 
: 
$ : P . a 
& O . a~t o 
e g ne = 
$ —4 5 TT: 
. cy 5 
P Ss aR 3 th 
2 = 
; z . Se 
y {| = 2 
i $ awit NK 3&5 
iS} 8 = 
8 & 
: $ Sy 
5 g at G 
yX 


tee 


: 


ig 


| 


o 


ae 


es 


eee 


ma un pochettino piu lento. 


Tempo di Valse. 


209 


The Miller and the Torrent. 


Melody by Fr. SCHUBERT. 


Simplified by CH. CZERNY. 


= 


88) 


Moderato. ( d) 


Transcription by S. Thalberg. 


with Pedal 


PP una corda 


210 


= 


SSS 


tres doux 
una corda 


t 


Di 
o 
OA a ee 


f ai is Z 
J # 
| 


211 


a tempo 


Lr. A \ 
SS 


se 


212 


una corda 


una corda 


The Celebrated “Witches Dance” 


Composed by PAGANINI. 


Transcribed by 
wm VINCENT WALLACE. 


INTRO. 
Maestoso. 


>= 
Le @ te ere te 


Larghetto con Espress. 
es 


con grazia 


Ce 


= eS 
bee bets 2 ="2 


md. = [ulibae pats 4 
otha tee = alas ———— 


=—— | = 


216 


Piu lento. 


215 


Piu mosso. 


> 


Pp scherz. 


VAR.I. 


219 


con doleszza 


Piu lento. 


i eet : - : 3 
, 1 pee1 
(= —— aersneesree== 


4 
He Pa Pt et Oban 
<a — = 


—— 


221 


Piu lento. 


Vvyv 


pesante. 


A AAA A 


SoA tT 
= eS ee a 


222 


Minore quasi Adagio. 


L a ———— 


rT 
lal gg #ea | 2: 


Z = OB Na ad 
uD ——— ened 


neste 


8 


pcies 
P 


ja * @: : 
ee , ee rs 


(pres eee 


€ 
« 


ys 


—==2>5_5 


a 


TY PB. 
Sas 
a bo a cae | 
= Z== ims 


AAS SSS | Riera 
Oe Ee —— 


— = rteatittt Est tete 


a mn aS | 
= — — a ee Ea oe et i 
——__ —~—_ ae ae a =n a Gee me eee ee Re eH 
ee ae a — 1 
—~ 
eee 
= 
saa 
es ES et lr —— 
= —_ - - nme “ I = O SEY me 
= = = == Be =f. a 4 + | 


+? ‘ 


“MUSIC HATH CHARMS.” 


Nocturne. ay 


JOHN FIELD. 
Cantabile. Edited by FANNY MORRIS SMITH. 


a 
S 
x 


ed 
cass 
eS ee 
eee 
— 


oe 


4 


ritard. 


228 


Mein Innigster. 
from SONG by WARLAMOFF: 


HS » riten. 


ht 


3 
fivd 


: ran Z 
sith 
= an 


230 


3, 
oetie 


SENG) 
eee 

S= 
=m 


ly ii 
Aiea | 


Se = 
oo - 
Sed 


= 
cresc. - 
—_- 

a 

YD) 


=== 


seer 
<u 


i! 
to 


Ritornello. 


10. 


dol. con gra 


il basso marcato. 


abe Phe 6 be | —~ re leree be | 
= = = Sc = = —~ = (El 5 — re Se EE 
| << ie = oe} 


234 
Polish National Dance. 
(KUYAWIAK.) 


HENRI WIENIAWSKI. 


Vf : 
us: Santastique 


235 


Bd 


—— 


ea d 


Beans 


Capriccioso. 


Con brio. 


1 here 


gist 


’ 
2 
12 

oa 
z 
ih 


> te 


te 
f 


OTTO LANGEY. 


Mandolina. 
MEXICAN SERENADE. 


Allegretto grazioso. 


238 


ie 
$< 

» — : 
3 


24 


of 
Pp 


a 


well 

hi 
9! 2A 
L 


Re «ef 


tlh <i 


Second time omit to® 
Third time omit to Coda. 


eet) @, 


240 


THE DEATH OF CHOPIN, 


~ 
> 
_ 


Nocturne. 


F. CHOPIN, Op. 37.No. 
Edited by H.von BULOW. 


Andantino. 


a | eS e/ lS a Sean? aby oo = oe 
C7 ie ee _ Gl eB b 4 Pi) a he ee ef at gt Oe 
Bin POrahet ita: P oi Pe PO HE 
Nib aa y tae ite: Ot a re ig fine el @ 
D es = e if) \ 


wy b 
PA — Fe — the s = = 

Fy or —— a 2 if r 
‘Seo. Bn & Qn, BE, 8 Go # 


a I} 
See OT 


| wer. He a Ee es b 
pep a>) ae" 
Gata eee OS OS Oe 
SS. SSS EST 5 
1 


244 


fh) 4 >= =| 
TS “1a 
e i eT a a SS a a 
ee eee $F ‘ . Zo 
ara id = 


0 
| oe a8 
EL A Se ER A # 


af fete $8 oul gee 8 FP tae Ste oes r 


—=a) 


sostenuto 


245 


= 
TE A 
a 


te’ oe 1! 


Kt 


_ 


2 Or. amet 


246 


Zigeuner-Weisen. 24 
GIPSEY-STY LE. 


~) 


PABLO de SARASATE, Op. 20. 


Moderato. a ~ 
2 gills 


‘4 |_| 

, bY SSSSs Zs 
ts... AN) Se a 
A) See De AT 


| eT 4 ee = |——a-—S-- eases 
SS es SS ee eee 


molto ritenuto 


249 


| i lal 
it Hi = (i : i 
‘i owl 
- aM i 
TY th <i i rill | 
hh aul i ll 
1] a met i 
\ ars He Lt Nig ont x 
"| o/s ee UU rent ell . 
| csi aS | 3 
Se | (| | 
ie bal) il : vi z | am | 
m4 | “Mg |e 
Na Tmt Iti i mn l ail 
FA > & | 
| G ll ||: | # wit 
, of is l 
: x ie | 
[i 
ipa | = 5 y <2 
ht § | y) | 
“ | +f ace 1 = 
| E gun tll 
. : : Nes | 
ay ae ar 
IN e Hf = N If pall 
Ns A : it 
34 al ws) 
ti i qn i : i| Gn 
E| 
liq ee i \ el, H 
m- we oe ars in) 
Ne aa Ne a ing all is 


a 
seet tee 14 14 _————e om 


Pt Sa ee 
Sia SSS SS SSS oeeeacees ——<_— 
mn al | ee Os PT 
_ eh soaner rt Li ena 
_ Ca — __..5————— ee rt ras aS 
—— o el : 
2 


(oe 
Pi EOS cp OE Ee eriehaiele L (en 


R51 


RS 
———— 
eo 
Se 
Ben. % Len. #% Ler. % Geo. % Bev. 


ritard. 


molto vivace. 


All? 


a? aes as a es eg ee 
a ——————— OO ———————— i ____— 


253 


JS pesante 


pesante 


rer 


eee 
eS = =e 


oe 

—_ 9-9 

free 
Hag 
BD 


Go. & GW. # GW # GW #@ # 


oe animato 


onde 
—ptiePPEeer Fe treert Ete: SSS =sSS5:2s2==.-_—==— = 
——— = = ——— 


PY 


Duett from Mozart’s Opera 
<4 . 
The Magic Flute” 


from THALBERG'S 
LART DU CHANT. 


Andantino. (M.M.« = 104) a 


PIF RRETLE: 


260 


C. Chaminade. 


Harry 


Allegretto. 


SSE 9 SSS .. CEE ee" 


), CEES) 47 SSF, eee —— 


"i 
Cy Dee ee Se GES Ges SS SS) GS), TS See) 


1a? ee ee 


“s 
a 


ae 


bse © 
—— 


263 


p marcato. 


= 
r 


) 


265 


. 
Gounod. 


he 


ry 


gret from the troupe.) 


retto. 


Alleg 
oh 
— = 


io. 


s broken.) (Murmurs of re 


ag 


The Marionette 


( 


Allegro. 


FUNERAL MARCH OF A MARIONETTE 
Ad 


(The Procession.) 


; 
4 
fb 


(Here many of the principal personages stop for refreshments.) 


= 


nl 


a 


267 


a . . . r 
Af el AE. ee 
SIGS tia ie oe ao 


== 


Lae 
_~ Te oe: Se Oe ee ee ee ee ee ee | 
a 


Leh & 


(Return to the House.) 


2 CS RESTS A Ed ES OER 


269 


CHANT DU BIVOUAC. 


FE. Ketterer. 


(Transcription Militaire.) 


De Kucken. 


Marcia. 


AllegroTempo di 


sPaaee rea cia 
Pepe 
Se Gp 


< 


271 


trés brillant. 


alll 
| 
| 


iz 
Aw 


. 
s 
: 


EE NS ES cs 
, 


£ . 
——_ 


a 6S ee ee 
Ua SS ae es ES) BI BS ee SSS 


—< 


at 
De 


wo 
> (06 NIV Bene 
‘ Aor ‘ 
tow . ~y, . 
> 
~ 
ny ; 
] Cs RS 


: 
or, Sess B sea 
As = 
a aye oo 
5 ae se 


ea 
ee sO 
Picars oF FO, SS S, 20, 
ae Ke Ee 1-2 BP YW. g 4 


ity 


ors > a 
Tyee ee 


- 
fa 
v 


z 
= 
a4 
i) 
-= 
— 
« 
Lam 
(4 
a4 
fo) 
= 
3 
oe 
° 
val 
is 
DB 
4 
I 
> 
-_ 
Z 
~ 


re 
Re 
Gone 


Los Angeles 
This book is DUE on the last date stamped below. 


Form L9-Series 4939 


“) 7 ut x c 
Ke arte , a, ; A 
[BAEK MZ PPO SEW 7 Aare IS SARS © 
ee Cs eS ne Sue sd CAE? 
ay oO, Ae Loe 27 SA. 1 SA> é 
a i Y 8« es ) PS : 
ee Spas sit x “41 
mes fa 7 See ~ t Es , - : 
eye a iP - > s 
> = 1, 
oA s i CF is ~ AMS 
8 R y 


eC 


Af 
PCTS , 


7 


coe Sa a is Aer 


> 
c= oe ine ar S a of ‘ P. 
> ‘ BS es P - Eine 
an Zh Bue oe MS LAS OF 
; ae Ss Cr. = 
ye, bee ‘ 
. : 
y 
=") ee 
i =na 
| i= 6 
3 a 
[S90 
i a noe isi aie ee 
} sS=a r ro a s Ae 


| 


4 A 
coke SAGs 
a a 


oy? 
ww 
Me 
0 ee rea 
ee 
Sut RN 
2 
Show 
‘ 
“HN 
\\ 
cf, / “oP 
S »! 
9 ss = 4 A 
S 
ne. y 5 
ee vk we ae o 
S. 
> wit gee 
> As : 
N2e 7 :% 
BO 6 Bi Shs fea 
Cy o a ° 


OC  lllDlCMAM lCUSEClC—Ee EE ,lEeelCc lr Ee OT lhlClUr 0 —ié“l li, i i MM 

+ - Ww ea 
ee ene Aho oe 
ae ee e ‘ 
vee ee ae et ae ae 

AS o i ie a 


shee ° “02 & <s 
Ty Ged ARS, 
y as ) ES we 
-_ 
ae 
x BO A, ce 


ce) 
<a 
iy C 
Zs ~ 
Cal A>. a 


OMT ares 
cyo. 
bale 
ao 

7 

2 


y) : 
= & 


PN 
ZZ (8 SPs 


S. 


ae Gh \ & ae ——s : 
=<: \ Eee ee : 
= / 'Y > ‘ep@te 4: 


. oF 
= § | 7 ? 
i s FF ) \ p 
pia SF he A\ ‘ ‘ , 
dy —, Ga, j \ 1's —— 


Bye 
-& 
= 


ra) | S % bey of 
Ana € a Prem iy Sz ny ( = 
; S ee ad sae BN VSN 

AS ¢ ~s ca 
1 Va . Te 7 ye f-, NAGS 

aw " “f » DS i . ¢ 

& WAS yy ae 7° Q\ x ; 
ae aes \ @& «' a 


NG 
,s 


